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M4ufree The Blackout
This film never ceases to entertain, I must have seen it more than 20 times over the years and it never gets dull. The scene in the police station where the abused tranny tries to maintain his/her dignity while reporting the vibrator attack...Cop:'He attacked you with a what?'...tranny 'He attacked me with a thingy!...you know a thingy!' Cop: 'ma'am are you trying to tell me he attacked you with a dildo?'

The acting may be sub-par, but this is really honest film making. Only the truly cynical could complain about the subject matter; It's called 'The Nostril Picker' people...what were you expecting?!?!

They just don't make them like this anymore, laugh or cry you'll love it! Fantastic!
Director: Egor Baranov, Nathalia Hencker
Cast: Maksim Artamonov, Filipp Avdeev, Yuriy Borisov, Oleg Boyko, Aleksey Chadov, Oleg Chugunov, Simon Dobravets, Maksim Emelyanov, Sergey Ershov, Artyom Eshkin, Maksim Evseev, Pyotr Fyodorov, Beso Gataev, Artem Gaydukov, Sergey Godin

M4ufree The Invisible Man
It's a sad day when I get more out of a film by reading the reviews here on the IMDb boards than by watching the picture itself. My DVD copy had poor audio quality making it hard to follow the dialog, so I barely made out that some sort of conspiracy was involved in blackmailing a Swiss bank and some of it's clients into NOT revealing their identity. Somehow by the end of the story there was a chase on for a bag of uncut diamonds which I guess was part of the blackmail demand, but that really wasn't very clear to me.

So there's really not a whole lot here to recommend this story, although individual elements might be noteworthy. A couple of German beauties grace the screen; Senta Berger as a nominal love interest for leading man David Janssen, and Elke Sommer in an underused role as the mistress of a bank VP. I didn't get the attraction between Berger's character Denise Abbott, and Janssen's David Christopher, but I guess these stories need some kind of romantic sub-plot to keep them going.

What amused me were those two hit-men who kept running around trying to knock off Christopher. They looked like a couple of fugitives from Gabe Kaplan's inner city high school class in 'Welcome Back, Kotter'. Actually they did a pretty nasty job on John Saxon in the early going, which made me wonder why Saxon's name was up there in the credits above Ray Milland and Sommer. Not going to lose any sleep over it though.

The other odd thing that struck me throughout the picture was how Christopher, the bad guys and Swiss detective Benninger (Anton Diffring) all wound up running into each other over the course of the story in a city as large as Zurich. Like in that scene when the hit-men shoot at Christopher and wind up hitting the bank VP, and the authorities arrive right at that moment. How does that work?

When all is said and done however, here's what I really want to know - how did they retrieve David Christopher's car after turning it into a teeter totter on the edge of that cliff?
Director: Leigh Whannell
Cast: Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer, Aldis Hodge, Storm Reid, Michael Dorman, Benedict Hardie, Renee Lim, Brian Meegan, Nick Kici, Vivienne Greer, Nicholas Hope, Cleave Williams, Cardwell Lynch, Sam Smith

M4ufree Brahms: The Boy II
As the title might suggest, this is an adaptation of the Mark Twain novel 'A Connecticut Yankee in King Arthur's Court'. To make things more interesting Disney flipped the idea on its head and made it a spaceman going back in time, thusly adding much more scope for visual fun and games.

NASA are trying to send a manned crew to out nearest star Alpha Centauri with the use of a new flashy super fast shuttle. This shuttle will fly faster than the speed of light by collecting atoms and ionising them, all through magnetic fields fitted to the wings. No idea how this is suppose to work but its heavy foreshadowing that's for sure. By mistake Trimble and his android replica get blasted into space and on this perilous journey, but they don't get too far before ending up crashing back on Earth in the Middle Ages. Once discovered Trimble must convince the locals he's not an alien or monster, get to grips with medieval life and eventually try to stop Merlin and Mordred from overthrowing Arthur.

Right so this is a Disney movie, an old Disney movie, so you know to expect slushy crapola just like all old live action Disney movies. I mean straight away, this professor dude at NASA rings up the main character Trimble and tells him to make a humanoid android for the shuttle project...and he does! He just says 'yes sir' and gets right to it, creating the perfect human looking android with perfect senses, reactions and even emotions, just like that. If people in this universe have those kinda of skills why are humans still stuck on Earth? Anyway this isn't about scientific authenticity, its a pure fantasy aimed at kids to enjoy, and back in the day I did enjoy this thoroughly.

The lead character played by Dennis Dugan is terribly wet and preppy that's for damn sure, but I'd imagine he is appealing to the younger generations with his quirky, jaunty self. Other cast members are a who's who of classic British talents. Jim Dale of the famous British 'Carry On' movie franchise plays the baddie knight Mordred and gives quite a surprisingly solid performance to be honest. Ron Moody is Merlin and looks like your typical evil wizard mixed with Fu Manchu, couldn't help but think it was Fagin in the Middle Ages though. John Le Mesurier plays Sir Gawain adding some nice light- hearted humour to the role, whilst Kenneth More completes a little double act with Mesurier as King Arthur. This duo really played off each other well, like a little bickering old couple, its quite cute and charming, very childish, but adorable. Good old Pat Roach is in here too as Merlin's main henchman and muscle, what else would he be.

The cast was pretty epic looking back, like many of old movies, but for kids at the time it was all about the adventure really, and this had all the right ingredients. Medieval knights, jousting, large scale battles and space technology. The movie was shot in and around a real castle in Northumberland, UK which really added to the realism and excitement when you were a kid. Everything looked like a giant adventure playground with lots of wondrous (yet dangerous) toys, the weaving dimly lit castle corridors, secret passages, the space shuttle in the courtyard, swords, crossbows, various futuristic gadgets, a moon buggy etc...Everything in the film does look pretty good too, considering the films age it still holds up well today. All the sets and costumes look terrific too, very accurate for a Disney kids flick, it does appear that this movie had a reasonable budget and plenty of tender loving care lavished upon it.

Yet despite the fact this was indeed a kids flick, it didn't shy away from tiny moments of edgy material. For starters they actually have a full scale, full view burning of Trimble at one point. Even though everyone knows its not real they don't actually cut away from it! you actually see the stunt guy in there burning! or at least close to the flames with clever use of forced perspective...I think! Put it this way it looks pretty realistic for a Disney movie sheesh! Then you have the jousting contest where we see Trimble's android getting taken apart piece by piece until his head is speared off, and yes there are no cuts, you see it fly off. Lastly there are actually references to Playboy magazine here, its actually shown, front cover en all! Of course you don't see anything but the fact its in there, presumably as product placement, is quite bizarre frankly.

Yes this fantasy adaptation has something in it for everyone, lots for the boys of course, romance with a maiden for the girls, and the legendary actors hamming it up something rotten for the adults. There is plenty of silly hokey stuff naturally, yet some quite clever stuff also, and what's more the special effects and props all add to the atmosphere perfectly. The big battle finale set in and around the castle at the end is the coup de grace, chock full of fun little moments. To be honest this whole thing feels a bit like a pantomime for kids, you half expect to hear hissing when the villains walk in shot. Its all so horrendously good-natured and delightful, its sickening...but in an acceptable way, nice score too.

7/10
Director: William Brent Bell
Cast: Katie Holmes, Owain Yeoman, Christopher Convery, Ralph Ineson, Anjali Jay, Oliver Rice, Natalie Moon, Daphne Hoskins, Joely Collins, Ellie King, Joanne Kimm

M4ufree Onward
The ultimate in sleazeploitation, walks familiar lines to Christiane F, yet this is more sleazy and shocking. Some of the in your face 'of all the nerve' scenes will upset some, as our young teen, Hanna D, the girl from Vondell Park, injects, and spreads her legs for dirty old men on trains, her place of business, as shown in the first scene. The next boarding is a depraved middle aged couple, where Hanna, sitting up straight, all dressed up, scholarly, beret and all, is stroking a doll. How sick can this movie get? This is only appetizers. Hanna's pimp, well played, is doing her mother. Hanna ends up doing him, and moving house, where he gets her working in pornographic movies. Then our lovely hapless Hanna falls in love. Trouble yes. Figure the remaining storyline out. Hanna D is nothing more than a dubbed sexploitation skin flick, if you will, with audacious scenes of tasty nudity and sex, while others shock (especially the injecting). That's what this film is out to do, shock, if be more, slutty, sleazy, shocking than Christiane F. On that level, it succeeds, but does not constitute a good movie.
Director: Dan Scanlon
Cast: Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, Ali Wong, Grey Griffin, Tracey Ullman, Wilmer Valderrama, George Psarras, John Ratzenberger

M4ufree The Way Back
Back in high school, Jack Cunningham had everything going for him. A basketball phenom, he could have punched his ticket to college or even the pros, but, instead, he chose to walk away from the game, forfeiting his future. Jack's glory days are long gone...but, as it turns out, not forgotten. Years later, he gets the chance to take back his life when he is asked to coach the struggling basketball team at his alma mater. Jack reluctantly accepts, surprising no one more than himself, and as the boys start to come together as a team and win, he may get his last shot at redemption.
Director: Gavin O'Connor
Cast: Ben Affleck, Janina Gavankar, Michaela Watkins, Hayes MacArthur, Da'Vinchi, Matthew Glave, Rachael Carpani, Todd Stashwick, Marlene Forte, Inka Kyt�, Glynn Turman, Melvin Gregg, T.K. Carter, Lukas Gage, Jeremy Ratchford

M4ufree Emma.
The name of the show caught my attention as I was scrolling through my TV app on my phone. Since the first episode I've been so intrigued by the entire cast. The ladies of the show are very unique, full of personality, charismatic, beautiful, stylish, and are so open. I think it's a refreshing take on love, compassion, friendship, and communication. Jack Daniels is very encouraging in his tone of voice, it makes me happy for everyone that is apart of this endeavor. I'm glad this show exist! I don't watch the new episodes until the weekend so my mind and time can be free to embrace every word. I hope the show continues with the current cast because I've grown fond of all of them individually. Granted this show is based on a class therefor I know it will come to an end. Very glad I stumbled upon this I think every lady around the globe should watch.
Director: Autumn de Wilde
Cast: Anya Taylor-Joy, Tanya Reynolds, Johnny Flynn, Mia Goth, Josh O'Connor, Gemma Whelan, Bill Nighy, Callum Turner, Miranda Hart, Amber Anderson, Rupert Graves, Chloe Pirrie, Isis Hainsworth, Myra McFadyen, Isabella Kennard-Barden

M4ufree Fantasy Island
In a film seemingly not supervised by a director, two California college roommates, Chuck (Tate Donovan) and Wally (Grant Heslov) take part in a vapid adventure obviously targeted at a barely pubescent audience. Chuck has an opportunity of which he has dreamed, to work for a large corporation where he will begin at $60000 per year, if he will complete a pre-employment assignment for the CEO (Robert Stack), a friend of Chuck's father. His duty is to deliver an expensive new Porsche, a birthday gift to the CEO's daughter in Lake Tahoe, but naturally complications occur due to Wally, the irresponsible friend of Chuck. Wally convinces Chuck to first utilize the Porsche as "bikini bait" in San Diego, where there is coincidentally a scheduled beauty pageant, and where the car is stolen. The manipulation of Chuck by Wally makes little sense throughout this affair, but sensible behaviour is not readily found within the script, as it would only interfere with pratfalls and bathing suit competitions. It is enough to mention, as ever with this type of film, a providential solution is found for personal relationship problems and that no one seems to mind if logic vanishes along the way. A payday is given to veterans Stack, Leslie Nielsen and Elizabeth Ashley, all of whom essentially create their roles, and a bright spot is a performance by funnyman Robert Klein, with his usual off-kilter derelict, in this instance an aging surfer. Poorly written and edited, this picture can yet claim freedom from any mean-spirited component, its most offensive facet being that the viewing of it is fundamentally a waste of time.
Director: Jeff Wadlow
Cast: Lucy Hale, Maggie Q, Charlotte McKinney, Evan Evagora, Portia Doubleday, Michael Pe�a, Parisa Fitz-Henley, Kim Coates, Michael Rooker, Ryan Hansen, Austin Stowell, Jimmy O. Yang, Goran D. Kleut, Robbie Jones, Renee Murden

M4ufree Sonic the Hedgehog
This is one of the better shows on MTV.

True Life is a documentary-like show which follows the lives of people with that episodes' subject and get into the world of that subject, one of the earlier episodes was about the porn industry, which was interesting because they said that they get everyday women who do it for extra cash and one of the girls in the video got HIV from it. Other episodes are more funny like "I'm Obsessed With My Dog," and "I Have Embarrassing Parents." The earlier episodes were hosted by Serna (something) and some of the newer episode Gideion Yago goes to places (one he went to Iraq.) This show is very interesting and one of my favorites, if you haven't seen it, you should. It's not like the trash that's on MTV, it's decent and well true (that's why it's called True Life!)
Director: Jeff Fowler
Cast: Ben Schwartz, Tika Sumpter, James Marsden, Jim Carrey, Lee Majdoub, Adam Pally, Neal McDonough, Frank C. Turner, Natasha Rothwell, Debs Howard, Elfina Luk, Shannon Chan-Kent, Brad Kelly, Garry Chalk, Michael Hogan

M4ufree Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
From the first he-yump to the very last this show, for something so absurd and bordering on stupid, was absolutely brilliant. John Glaser as Neon Joe is perfect. Everything he says and how it says it are comedy gold. Some may find this to get juvenile at times but it almost doesn't matter as the lead actor absolutely kills it. Stephanie March and her current lover are easily the funniest television couple. Something about every character at some point during the run of this show makes you crack up. The writing on this show is both genius and sophomoric with the only semi-ehhh episode being the second and I won't say another word beyond WATCH IT you will most assuredly laugh out loud heeeeyyy-yyuuump!
Director: Cathy Yan
Cast: Margot Robbie, Rosie Perez, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Ewan McGregor, Ella Jay Basco, Chris Messina, Ali Wong, David Ury, Sara Montez, Isabel Pakzad, Daniel Bernhardt, Kc Strubbe, Jacky Shu, Paloma Rabinov

M4ufree The Call of the Wild
This movie dosen't work much a sequel to "Mulan" (which is one my favorite Disney movies).

While the first had an epic plot, this one is very simple - in fact it's almost a sitcom setup. We only get one bigger action scene in the third act and the rest of the movie is character developing their relations as they travel from point "A" to point "B". We get more Mulan/Shang relation, we get romance between three warriors and Emperors daughters (new character) and more Mushu/Mulan relations... In fact it's almost like a romantic comedy set in ancient China.

And I will be honest - if this was the pilot for "MULAN THE ANIMATION SERIES" (or "MULAN'S VALENTINE DAY SPECIAL") I would enjoy it.

True the animation is far from movie standards but it's still pretty darn good. All the characters relation stuff are sweet (especialy all the stuff between the warriors and the princesses) and interesting, few scenes made me laugh and I actually like the songs.

So yhe, this movie isn't how a sequel should be made but if you love those characters you may actually find this interesting and enjoyable.

The only thing I didn't like is the fact that they made the ancestor ghosts characters less sympathetic and Mulan doesn't get to shine like she did in the fist movie (the lack of the whole "pretend to be a boy" aspect was what made here fun was the best thing about her in the first movie and we don't get this at all in this one... they just talk abut it)
Director: Chris Sanders
Cast: Karen Gillan, Harrison Ford, Cara Gee, Dan Stevens, Bradley Whitford, Jean Louisa Kelly, Omar Sy, Wes Brown, Abraham Benrubi, Terry Notary, Preston Bailey, Stephanie Czajkowski, Colin Woodell, Alex Solowitz, Adam Fergus

M4ufree The Photograph
"Well, that's a real shame. But, we're not cops and we're not from some charity organization. Sorry lady, we don't protect or serve. This is strictly business."

One word came to my mind after watching this. Unnecessary.

I have been putting off watching the Cowboy Bebop movie for several years now. I'm a huge fan of the show, but I had heard and read so many mixed or negative reviews of the movie online and from friends, that I was hesitant to see it. In the end, though, I figured that any Cowboy Bebop had to be somewhat worthwhile. That turned out to be partially true, but I still find myself disappointed.

To be blunt, the story was completely uninteresting. Each episode of the series was like a (good) mini-movie on its own, so I don't get why giving the creators more time to develop and tell this story, ended up producing something that wasn't nearly as engaging as any given one of the original episodes. It felt like the decision to make the movie came first, and very little effort was put into making a worthy plot to go along with it.

The new characters are uniformly dull, much of the soundtrack was poor (How did THAT happen? Where's the jazz?), and the film as a whole felt disjointed, at best. I tried as hard as o could to like it all, but the most positive description I can give for my experience is "meh".

I'll admit that it warmed my fanboy heart to see Spike, Faye, and the gang in action again. The animation was very good, and some of the action scenes were top notch. But without the great storytelling that we've all come to expect, I'd recommend this to only the most fervent Cowboy Bebop fan. You'd have much more fun in the same amount of time by just watching four of your favorite episodes of the show. 
Director: Stella Meghie
Cast: LaKeith Stanfield, Issa Rae, Chelsea Peretti, Kelvin Harrison Jr., Teyonah Parris, Jasmine Cephas Jones, Courtney B. Vance, Lil Rel Howery, Kenneth Kynt Bryan, Rob Morgan, Y'lan Noel, Chant� Adams, Marsha Stephanie Blake, Wakeema Hollis, Christopher Cassarino

M4ufree The Assistant
A common cinema sub-genre is one that may be termed Good Cop vs. The System, wherein an ethical police officer struggles against his corrupt supervisors while striving to remain employed, and here this not very entertaining attempt by director and lead Burt Reynolds easily fits into the category, utilizing nearly every cliché available from a wealth of examples. Oft-used low level helicopter footage, of a South Florida resort skyline backs the opening credits, as Reynolds reads, for a voice-over, lines from a work by Bob Shacochis: his introduction to the anthology "Florida Stories". This obviously would appear to be an attempt to set the film near Miami, yet much of the selected Shacochis text is ironically descriptive of Southern California as well, and additional urban shots are culled from the Los Angeles region, where in fact the work was, for the most part, filmed. This is the first of a featherweight trilogy of "action" films produced for TNT and starring Reynolds, with the "hard time" of the title, a prison sentence served by his character, Detective Logan McQueen, transpiring during this affair's sequel: HARD TIME: THE PREMONITION, but in this work McQueen, sharing a holding tank with other inmates awaiting bail or sentencing, is advised by a transvestite that it can not expect anything less than a "hard time" from its captors. The film begins with McQueen and his Detective partner Charlie Duffy (Charles Durning) atop a downtown roof, deployed there as an anti-graffiti detail, implementing binoculars to espy upon wall scribblers at play, an assignment below contempt in the opinion of Logan, when they spot a street robbery in progress and, after having pursued three suspects a good distance on foot, McQueen brings two of them to bay in an alley dead end. Here occur the events that result in McQueen being locked up, because at the termination of the pursuit, there is a shootout during which one of the trapped bandits is killed, to the peculiar displeasure of the Detective's superiors. He, of course, did not kill the robber, and the remaining portion of the picture relates of McQueen's endeavours to clear his name despite obvious antipathy towards him by the city's law enforcement power structure, including his own Department, in addition to a politically motivated District Attorney's office. Another form of jeopardy to Logan comes from large scale narcotics trafficker Connie Martin (Robert Loggia) from whom was stolen $190000 in the course of the alley escapade, and naturally Martin believes that McQueen has purloined his illicitly gained monies. In the midst of all of this, Duffy's severely overweight condition hampers Logan in the function of his duties, even on "graffiti patrol", but since we learn that Duffy and his wife had adopted McQueen as a youngster, fidelity to the portly Detective has remained steadfast. Flaws in logic and continuity are plentiful, and while a viewer will have nearly immediate awareness that an unidentified police official is corrupt down to the bone, a large cluster of red herrings is infused as an attempt to remove focus from what is palpable to a viewer. Reynolds employs a good many of his preferred personnel for the trilogy, nice paydays indeed for them, but his relaxed and permissive directorial style results in Johnny One Note performances from most of the cast who simply fall back upon habitual stylistics. He himself is rather long in the tooth and a bit connective tissue challenged to fit into his vigorous role, but able stand-ins and post-production editing bring him through the physical stresses of action sequences, none of which is deftly staged. The players treat the drudging screenplay as a mere walk through, often making heavy weather of it. Michael Buie as Higgs, a young police officer who may have morally strayed, gains acting honours here as he creates his part with care while remaining on topic. Too many centres of interest are fostered by the plot, with the hub of the affair becoming police rectitude, although depiction of police protocol, procedures and tactics is often so bizarre as to be risible in addition to being a discouragement to viewers who might be curious enough to see the next two films of the HARD TIME set.
Director: Kitty Green
Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins, St�phanye Dussud, Juliana Canfield, Alexander Chaplin, Dagmara Dominczyk, Bregje Heinen, Lou Martini Jr., Liz Wisan, Clara Wong, Sophie Knapp

M4ufree The Lodge
I used this movie to introduce Air Force student pilots to the science of meteorology in the late 1960's at Craig AFB in Selma Alabama. During the four years I was assigned to Craig AFB this movie became an integral part of the weather course for over 2000 Air Force pilots I taught, all university graduates many of whom were Air Force Academy graduates. The movie was used as a motivational tool and always kept the student's attention as the hazards of flying in weather were introduced to them. This movie could still be used today to inspire young children to consider a career in meteorology. I give this movie 9 stars for its content, scientific credibility, and presentation. It includes such topics as fronts and air masses, global circulation, thunderstorms, tornadoes and hurricanes. It even includes material on climate change which the world is debating today.
Director: Severin Fiala, Veronika Franz
Cast: Alicia Silverstone, Richard Armitage, Jaeden Martell, Riley Keough, Lia McHugh, Rebecca Faulkenberry, Katelyn Wells, Danny Keough, Lola Reid

M4ufree Extraction
After watching this film I felt Avery was guilty as charged. This was before I did reading on all the damaging evidence mentioned in passing if at all by the filmmakers. It felt more like an extremely long episode of DatelineNBC instead of the first Paradise Lost film on the West Memphis Three. Unlike the Thin Blue Line, Making A Murderer doesn't show us there was very little evidence in Avery's case that would have exonerated him. DNA of his inside both her car and on the hood. The *69 calls to the victim to hide his number on the day of the murder. A key found several days after the initial searches of his residence. Evidence missed is not unusual, several key pieces that tied Manson's family to the Tate murders were found on subsequent searches. Lack of fingerprints? Profiler John Douglas wrote it's Mike rarer than one thinks to find identifying fingerprints at crime scenes; this while he was still with the FBI. After finishing this series I did some investigation and found even more evidence than covered in the film. On the other hand, I do believe there is a good chance his mentally slow cousin was fed his false confession.

If you like true crime I think you will really enjoy this for the entertainment value. It's not as depressing as My Brother's Keeper.

For entertainment value- 9 stars For being so biased on the "railroading" of Avery I give it 4 stars.

I rated my average down as by the eighth show I was beginning to lose interest.
Director: Sam Hargrave
Cast: Chris Hemsworth, Rudhraksh Jaiswal, Shivam Vichare, Piyush Khati, Randeep Hooda, Pankaj Tripathi, Chris Jai Alex, Adam Bessa, Wayne Blair, Rayna Campbell, Vonzell Carter, Golshifteh Farahani, Shataf Figar, David Harbour, Sam Hargrave

M4ufree I Still Believe
Depending on your point of view this movie is either an interesting Freudian exploration of the "beauty and the beast" myth, or it is a particularly pretentious example of what Robin Bougie of "Cinema Sewer" magazine hilariously dubbed the "bigfoot-rape" film. Evidence of the former would be that this was directed by Alfred Sole who directed the cult horror classic "Alice, Sweet Alice". This isn't a patch on that one,of course, but it's better than a lot of Soles other equally bizarre, post-"Alice" projects (like the off-the-wall slasher spoof "Pandemonium"). Evidence of the latter, however, would be that this movie stars D.D. Winters, a singer/actress who couldn't really sing and DEFINITELY couldn't act. She would later become Prince's protegee under the name of "Vanity" and then eventually a born-again Christian (and I'm not sure which is worse).

This movie is about sexy and oft-naked woman and her husband who go off to live on an island for reasons that eluded me. The only other being on the island is a ape man/bigfoot type creature who the girl nicknames "Blue". The girl feels a strange affection, even perhaps an attraction, to the creature, which makes her husband increasingly jealous. He becomes determined to capture this monster and put it in a cage. The Freudian metaphor here is pretty obvious--the monster represents the wild, uncivilized side of the man, and he fears the woman's attraction to it and wants to repress both it and her. This intriguing idea is pretty seriously fumbled though by some truly horrid acting and a clichéd, cop-out ending usually used by filmmakers when they have totally run out of ideas.

This movie greatly resembles the notorious Walerian Borozyx film "The Beast". It is also a arty, metaphoric exploration of bestiality (albeit a little less graphic than the Borozyx film). But while "The Beast" also starred a sexy but talentless actress (Sirpa Lane) as the object of the bestial affections, Borzyx had the good sense not to give her any lines. Winters has many lines in this movie and is unbelievably annoying when she's not having sex or getting naked. More importantly, however, "The Beast" had a strong ending that tied everything together, while this one . . .well, I won't spoil it--I'll just let it spoil itself. This is a potentially interesting but flawed film.
Director: Andrew Erwin, Jon Erwin
Cast: Britt Robertson, K.J. Apa, Melissa Roxburgh, Gary Sinise, Abigail Cowen, Nathan Parsons, Shania Twain, Reuben Dodd, Cameron Arnett, Tanya Christiansen, Nicolas Bechtel, Gregory Hobson, She� Dueitt, Nicholas G. Sims, Alyssa Gonzalez

M4ufree Bloodshot
RAW FORCE was way more fun than I expected. It's darn campy, featuring ninja zombies, piranhas, cannibalistic monks and jade-dealing Nazis. This movie is also sometimes known as KUNG FU CANNIBALS ... which should tell you everything!

The plot is "simple": A group of kung fu aficionados is on a journey to a haunted island where the spirits of forsaken martial arts fighters are said to live. On their journey, the cruise is intercepted by a Hitleresque crime lord and his fellows. The nazi gang trades prostitutes for jade with the flesh-eating monks of the island, and neither monks nor Nazis wants their scheme to be tampered with by some kung-fu-loving tourists...

This short plot summary should say it all. You're not watching RAW FORCE for hoity-toity drama and high quality cinematography and plot development, but for its nonstop action and camp. What I really liked about the movie is that in contrast to some other B-movies, its pace never lets you down. The action is nonstop but not in a way that gets you bored. And you care for the characters just enough to watch this movie till the end. Definitely one of the more fun B-movies, although the gore factor could be amped up. Overall quite enjoyable, especially when with friends.
Director: Dave Wilson
Cast: Sam Heughan, Eiza González, Vin Diesel, Talulah Riley, Toby Kebbell, Guy Pearce, Lamorne Morris, J�hannes Haukur J�hannesson, Siddharth Dhananjay, Alex Hernandez, Maarten R�mer, Tamer Burjaq, Ryan Kruger, Patrick Kerton, Alex Anlos

M4ufree Gretel & Hansel
This seems to be the kind of low budget film you watch when you have nothing else to do. Well, I got hooked by the first five minutes and I had to keep watching even though I had other things to do. The opening rescue scene is full of suspense and the protagonist's(Jonas) conflict is so quickly established that Paul Ziller and associates put you right into the story immediately.It's not surprising that Roger Corman, infamous for quick, low budget but high quality horror productions in the 1960s, is the executive producer. The setting and mood surrounding a fire crew camp is quite realistic. There are a lot of original features to this film that make it strongly recommended.
Director: Oz Perkins
Cast: Sophia Lillis, Alice Krige, Jessica De Gouw, Samuel Leakey, Charles Babalola, Ian Kenny, Abdul Alshareef, Manuel Pombo, Beatrix Perkins

M4ufree Guns Akimbo
This documentary perfectly captures the largely-ignored downside to globalization and the subsequent domination of the world economy by the U.S. and Western Europe. Namely, that undeveloped and developing countries continue to get poorer at the expense of the rich. This documentary presents the human side for discussions about the impact of multinational corporations on human rights abuses, price fixing in order to drive local competition into failure, environmental destruction as the result of World Bank-mandated "structural adjustments," etc. This is a must see for anyone who thinks that globalization is the only way for developing countries to compete with the rest of the world, and for anyone wanting to know the reasons behind all of those protests.
Director: Jason Lei Howden
Cast: Daniel Radcliffe, Samara Weaving, Rhys Darby, Ned Dennehy, Natasha Liu Bordizzo, Mark Rowley, Grant Bowler, Hanako Footman, Josh Robert Thompson, Set Sj�strand, Jacqueline Lee Geurts, Milo Cawthorne, Colin Moy, Edwin Wright, Racheal Ofori

M4ufree The Rhythm Section
I rented this film from Netflix because I was hoping to see yet another over the top propaganda film from WWII--the type that are almost funny because the acting and characters are so over the top. However, I was very surprised to see that "Enemy of Women" was actually rather restrained. Heck, I could even see some viewers actually feeling a bit of sympathy for the focus of the film--Dr. Josef Goebbels! The film begins as Berlin is in ruins--and a radio broadcast by Dr. Goebbels is telling the people that everything is peachy. Then, the film goes back in time to 1925 and eventually works its way back to where the film began. You see Goebbels as a rather insecure man--a guy who has a difficult time with women. He is secretly in love with his landlord's daughter, Maria. When he makes a very awkward advance on her, her father throws him out of the home. And, inexplicably, Goebbels spends the entire rest of the film trying to win her love. However, along the way, Goebbels shows that he's a lover not to be trifled with and uses the power he achieves from the Nazi party to get his revenge.

This entire film is weird--very weird. That's because it seems like a real biography of the man--though most of it is fiction. Yes, there was a Goebbels and he was a sick and twisted jerk--but oddly, the Goebbels in this film is a bit vulnerable. Sure, he's evil...but somehow not altogether hateful. Because of this somewhat human aspect, the film is a standout for the genre, as propaganda films usually try very hard to de-humanize the enemy. Mind you, this did not make Goebbels look exactly good---but he was indeed human and vulnerable. Overall, it's well made and actually ages pretty well. Just remember that this is NOT a real biography, as the real Goebbels was much more complex and sick.
Director: Reed Morano
Cast: Blake Lively, Jude Law, Sterling K. Brown, Daniel Mays, Max Casella, Richard Brake, Raza Jaffrey, Geoff Bell, Jade Anouka, Jack McEvoy, Tawfeek Barhom, Ivana Basic, David Duggan, Nasser Memarzia, Amira Ghazalla

M4ufree Wendy
I read the book about 50 years ago and didn't remember too many details but I do remember being left with a good feeling from reading it. With the exception of most of Part 1 the adaptation of "Childhood's End" left me feeling depressed and unsatisfied. Seemed like I had to sit through hours of sad music and sorrowful scenes to get to the few 'nuggets' from the original story. That wasn't how the book 'felt'. I understand the need to update and modify stories for television but not to the point of changing the entire 'feel' of it. I now intend to re-read the novel so as to get the foul taste of this movie adaptation out of my head.
Director: Benh Zeitlin
Cast: Yashua Mack, Devin France, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn, Romyri Ross, Shay Walker, Tommie Lynn Milazzo, Stephanie Lynn Wilson